Thor (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• Thor Blueray Used Movie

Raised by her father (Eric Bana), an ex-CIA agent, in the wilds of Finland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), ! who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerRaised by her father (Eric Bana), an ex-CIA agent, in the wil! ds of Fi nland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerX-Men: First Class is the thrilling, eye-opening chapter you’ve been waiting for...Witness the beginning of the X-Men Universe. Before Charles Xavier and Erik Lensherr took t! he names Professor X and Magneto, they were two young men disc! overing their superhuman powers for the first time, working together in a desperate attempt to stop the Hellfire Club and a global nuclear war.When Bryan Singer brought Marvel's X-Men to the big screen, Magneto and Professor X were elder statesmen, but Matthew Vaughn (Kick-Ass) travels back in time to present an origin story--and an alternate version of history. While Charles Xavier (Laurence Belcher) grows up privileged in New York, Erik Lehnsherr (Bill Milner) grows up underprivileged in Poland. As children, the mind-reading Charles finds a friend in the shape-shifting Raven (Jennifer Lawrence) and Erik finds an enemy in Sebastian Shaw (Kevin Bacon), an energy-absorbing Nazi scientist who treats the metal-bending lad like a lab rat. By 1962, Charles (James McAvoy) has become a swaggering genetics professor and Erik (Michael Fassbender, McAvoy's Band of Brothers costar) has become a brooding agent of revenge. CIA agent Moira (Rose Byrne) brings the two together! to work for Division X. With the help of MIB (Oliver Platt) and Hank (A Single Man's Nicholas Hoult), they seek out other mutants, while fending off Shaw and Emma Frost (Mad Men's January Jones), who try to recruit them for more nefarious ends, leading to a showdown in Cuba between the United States and the Soviet Union, the good and bad mutants, and Charles and Erik, whose goals have begun to diverge. Throughout, Vaughn crisscrosses the globe, piles on the visual effects, and juices the action with a rousing score, but it's the actors who make the biggest impression as McAvoy and Fassbender prove themselves worthy successors to Patrick Stewart and Ian McKellen. The movie comes alive whenever they take center stage, and dies a little when they don't. For the most part, though, Vaughn does right by playing up the James Bond parallels and acknowledging the debt to producer Bryan Singer through a couple of clever cameos. --Kathleen C. FennessyX-Men: First! Class is the thrilling, eye-opening chapter you’ve been wai! ting for ...Witness the beginning of the X-Men Universe. Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their superhuman powers for the first time, working together in a desperate attempt to stop the Hellfire Club and a global nuclear war.When Bryan Singer brought Marvel's X-Men to the big screen, Magneto and Professor X were elder statesmen, but Matthew Vaughn (Kick-Ass) travels back in time to present an origin story--and an alternate version of history. While Charles Xavier (Laurence Belcher) grows up privileged in New York, Erik Lehnsherr (Bill Milner) grows up underprivileged in Poland. As children, the mind-reading Charles finds a friend in the shape-shifting Raven (Jennifer Lawrence) and Erik finds an enemy in Sebastian Shaw (Kevin Bacon), an energy-absorbing Nazi scientist who treats the metal-bending lad like a lab rat. By 1962, Charles (James McAvoy) has become a swaggering genetics professor! and Erik (Michael Fassbender, McAvoy's Band of Brothers costar) has become a brooding agent of revenge. CIA agent Moira (Rose Byrne) brings the two together to work for Division X. With the help of MIB (Oliver Platt) and Hank (A Single Man's Nicholas Hoult), they seek out other mutants, while fending off Shaw and Emma Frost (Mad Men's January Jones), who try to recruit them for more nefarious ends, leading to a showdown in Cuba between the United States and the Soviet Union, the good and bad mutants, and Charles and Erik, whose goals have begun to diverge. Throughout, Vaughn crisscrosses the globe, piles on the visual effects, and juices the action with a rousing score, but it's the actors who make the biggest impression as McAvoy and Fassbender prove themselves worthy successors to Patrick Stewart and Ian McKellen. The movie comes alive whenever they take center stage, and dies a little when they don't. For the most part, though, Vaughn does right by ! playing up the James Bond parallels and acknowledging the debt! to prod ucer Bryan Singer through a couple of clever cameos. --Kathleen C. Fennessy"Gut-bustingly funny. Bridesmaids gets an A!!!" (Owen Gleiberman, Entertainment Weekly) From the producer of Superbad, Knocked Up and The 40-Year-Old Virgin comes the breakout comedy critics are calling "brazenly hysterical!" (Alynda Wheat, People)  Thirty-something Annie (Kristen Wiig) has hit a rough patch but finds her life turned completely upside down when she takes on the Maid of Honor role in her best friend Lillian's (Maya Rudolph) wedding. In way over her head but determined to succeed, Annie leads a hilarious hodgepodge of bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper) on a wild ride down the road to the big event. Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, Chris O'Dowd, Ellie Kemper, Wendi McLendon-Covey, Melissa McCarthy, Matt Lucas, Jill Clayburgh, Rebel Wilson, Michael Hitchcock, Terry Crews, Kali Hawk, Tim Heidecker, Jon Hamm Directed b! y: Paul FeigThe delightful Kristen Wiig, who's shone in dozens of supporting roles and on Saturday Night Live, hits a bull's-eye with her first lead role in Bridesmaids. Annie (Wiig) isn't doing so well; her bakery failed and she keeps sleeping with a good-looking louse (Jon Hamm, Mad Men), but she's always had her best friend Lillian (Maya Rudolph, Away We Go) to buoy her up… until Lillian gets engaged. Annie becomes maid of honor, but another friend of Lillian's--the rich and lovely Helen (Rose Byrne, Get Him to the Greek)--wants to take over that position. Misadventures with bad Brazilian food, dress fittings, an unfortunate flight to Vegas, and a sympathetic traffic cop (Chris O'Dowd from British TV comedy The IT Crowd) follow, with increasingly hilarious results. Bridesmaids successfully balances raunchy comedy and character portrait. The embarrassing and socially catastrophic stuff, which in too many movies balloons i! nto absurdity, is here kept in check just enough to allow Anni! e and th e other characters to be multidimensional people--without the movie losing its comic capacity for cringe. (Actress Melissa McCarthy, of Mike & Molly, works miracles with a character than in most hands would be pure cartoon.) Wiig's enormous appeal keeps Annie sympathetic, even as she becomes more and more of a train wreck. Bridesmaids is both smart and dumb, raunchy and earnest, and altogether enjoyable. --Bret FetzerThe epic adventure Thor spans the Marvel universe from present-day Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but arrogant warrior whose reckless actions reignite an ancient war. As a result, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the m! ost problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is banished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the ai! d of a beautiful scientist (Natalie Portman). Although directo! r Kennet h Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh's film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle royale The Avengers. --Andrew Wright

Bright Young Things

• Based on the novel, Vile Bodies by Evelyn Waugh, Bright Young Things is a look at the uppercrust British society during the frenzied 1930s. The story follows the lives of a group of young socialites also known as the "Bright Young Things."Running Time: 105 min. Format: DVD MOVIE Genre: COMEDY Rating: R Age: 794043779022 UPC: 794043779022 Manufacturer No: N7790

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star. . . .

Cordelia is searching for the father she's never k! nown, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is ­Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the ­illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twen! ties.

Letty Larkspur and Cordelia Grey escaped their! small M idwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star…

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.

---

Anna Godberson’s Playlist

Bright Young Things may take place during the Jazz Age, but author Anna Godberson shows us that the tunes she prefers range from Cat Power to Prince. Check out what she loves and why. (Click on the song name to listen to a sample)




"River Deep â€" Mountain High" by Ike & Tina Turner
I spend a lot of time in a chair in front of my computer obsessively reworking sentences. This song is ecstatic and full of life and whenever I hear it I want to get up and move! .

"Lived in Bars" ! by Cat Power
This song sounds to me like the wise, sad, tired, wired, voice of experience, the kind of beauty that you can only see after you’ve been worn down. That’s what Bright Young Things is all about.

"You Said Something" by PJ Harvey
This one is like an exquisite New Yorker story, perfect in its simplicity and specificity but universal in what it expresses.

"California" by Joni Mitchell
That’s where I’m from, and this is the soundtrack of my homesickness. Plus, the lyrics are literary and whip-smart and impossible for a California girl to forget.

"Go West" by Liz Phair
People like to make fun of Liz Phair these days, but her voice was the voice of my young womanhood, and “Go West” was the anthem of all to-! hell-with-men, bridge-burning episodes.

"Love Me Like A Man" by Bonnie Raitt
The title says it all, and it just gets better from there.

"Tell It Like It Is" by Etta James
Awesome plea for romantic decency, but in that raw, lusty, commanding voice. After at least four thousand listens, I still nod along like the first time.

"You Only Live Once" by The Strokes
Not to date myself, but around the time I graduated from college, this was the coolest band to mock. Who cares? In my opinion, this is the ultimate jogging song.

"I Could Never Take the Place of Your Man" by Prince
This is also an instant dance party number for meâ€"is anyone as weird and cool as Prince?

"God" by John Lennon
To me! , this i s the ultimate expression of an artist’s belief in self. There is something bleak, but also really clear-eyed and uplifting about. Plus, it’s gorgeous.

"Bring It On Home to Me" by Sam Cooke
If I could curl up in Sam Cooke’s voice and sleep forever, I’d do it. This one is just so desperate and romantic and it sounds just like what it means.

"Like A Rolling Stone" by Bob Dylan
My parents were hippies, and I grew up in the Church Of Dylan. For a guaranteed good time, get on the freeway, roll the window down, step on the gas, and turn the volume up on this number. Please be prepared to sing along.

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For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cor! delia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

Who set's today's new tren! ds? At the beginning of a new millennium, who is it that defi! nes what is fashionable, who has the true will to create, who knows how to make glamour a lifestyle? Bright Young Things introduces us to some of the most prominent members of America's younger generation, the high-flyers who set the style, pace and attitudes of their time such as Alexandra and Alexandre von Furstenberg, Aerin Lauder and Eric Zinterhofer, Damian Loeb, Moby, Marina Rust, Andrew Lauren, Serena Altschul, to name a few. And what makes this young, dynamic, styleish group quite interesting, visible and somewhat powerful, is that they are all extremely accomplished individuals in their personal lives, as well as being very accomplished leaders in their relative fields - business, arts, literature, music, movie production, fashion designing, etc. We discover their house, interior and the lives they lead. With contributions by Bill Blass, Brooke Astor, Oscar de la Renta, Diane von Furstenberg, Anh Duong, Carolina Herrera, among others. Bright young things required for b! ig project...Six young people respond to the advert in The Times - all clever, all disaffected with their lives, all looking for an escape. What they least expect is to find themselves prisoners on an island, at the mercy of...who? Their needs are well provided for with a comfortable house and provisions but there's no telephone, no television and no way to escape. The bright young things have to start working out why they're there and how to get away before it's too late...

For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter ! the cost.

Cordelia is still reeling from the death of he! r father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content! to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

"Some time in the past when things were much as they are now, only more so..." A satirical comedy as well as a love story, Bright Youngs Things marks the the directoral debut of actor Stephen Fry. "Bright Young Things," says Fry, "is a period film! shot with modern pace and cinematography. It deals with fame,! sexual scandal, greed, night-clubbing, and the frantic glamour of youth."

While the central plot of Bright Young Things is a romance, it is also a highly topical social comedy that shows a conservative older generation failing to understand the club culture, music, dance, and frenetic pace of its children, modern society at its most decadent and most colorful is fully on display as is the popular media fueled by gossip columnists and paparazzi who dominate a tabloid press propelled by rumor and scandal.

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In 1964, a brash new pro boxer, fresh from his olympic gold medal victory, explodes on to the scene, Cassius Clay. Bold and outspoken, he cuts an entirely new image for African American's in sport with his proud public self confidence with his unapologetic belief that he is the greatest boxer of all time. To his credit, he sets out to prove that with his highly agile and forceful style soon making him a formidable boxer who soon claims the heavyweight championship. His personal life is no less noteworthy with his allegiance to the Nation of Islam, his friendship with the controversial Malcolm X and his abandonment of his slave name! in favour of Muhammad Ali stirring up controversy. Yet, at the top of his game, both Ali's personal and professional lives face the ultimate test with the military draft rules are changed, making him eligible for military induction during the Vietnam War. Despite the fact that he could easily agree to a sweetheart deal that would have meant an easy tour of duty for himself, Ali refuses to submit on principle to cooperate in an unjust war for a racist nation that treated his people so poorly. The cost of that stand is high as he finds himself unable to legally box in his own country while his case is contested in court. What follows is a battle for a man who would sacrifice so much for what he believes in and a comeback that would cement his legend as one of the great sports figures of all time.Ali is a rush of charm, violence, and well-crafted mythmaking sure to enthrall. From the unforgettable surge of the opening--a 10-minute montage of sheer brilliance where form! ative scenes from the early life of Cassius Clay float along o! n the ra pture of a live performance by Sam Cooke in a Harlem nightclub--through to Muhammad Ali's departure for Zaire to fight George Foreman, Michael Mann's homage is mostly crisp and fleet-footed. As Clay/Ali, Will Smith acquits himself marvelously due in large part to his uncanny re-creation of Ali's most famous weapon, his mesmerizing voice. Indeed, the best scenes throughout showcase Ali's verbal rather than pugilistic sparring; whether with his entourage (notably Jamie Foxx), Howard Cosell (Jon Voight), or Don King (Mykelti Williamson), Michael Mann's Ali has the same authoritative wit and ability to surprise that so disarmed the public. The news conferences and behind-the-scenes banter are exquisitely re-created; not so Ali's flaws. Mann's attempt to depict Ali's womanizing, his dubious affiliation with the Nation of Islam, and his insatiable need for the spotlight seems halfhearted and laborious in comparison to the film's enlivened adoration of its subject. As the sluggish ! second half of the film betrays, Ali is at its impressionistic best when it's in awe rather than when it explains. --Fionn Meade ALI:DIRECTOR'S CUT - DVD MovieAli is a rush of charm, violence, and well-crafted mythmaking sure to enthrall. From the unforgettable surge of the opening--a 10-minute montage of sheer brilliance where formative scenes from the early life of Cassius Clay float along on the rapture of a live performance by Sam Cooke in a Harlem nightclub--through to Muhammad Ali's departure for Zaire to fight George Foreman, Michael Mann's homage is mostly crisp and fleet-footed. As Clay/Ali, Will Smith acquits himself marvelously due in large part to his uncanny re-creation of Ali's most famous weapon, his mesmerizing voice. Indeed, the best scenes throughout showcase Ali's verbal rather than pugilistic sparring; whether with his entourage (notably Jamie Foxx), Howard Cosell (Jon Voight), or Don King (Mykelti Williamson), Michael Mann's Ali has! the same authoritative wit and ability to surprise that so di! sarmed t he public. The news conferences and behind-the-scenes banter are exquisitely re-created; not so Ali's flaws. Mann's attempt to depict Ali's womanizing, his dubious affiliation with the Nation of Islam, and his insatiable need for the spotlight seems halfhearted and laborious in comparison to the film's enlivened adoration of its subject. As the sluggish second half of the film betrays, Ali is at its impressionistic best when it's in awe rather than when it explains. --Fionn Meade Studio: Lions Gate Home Ent. Release Date: 12/29/2009 Run time: 100 minutes Rating: RHe rocked the sport, shook the world, and changed their lives. Now, several decades after they met in the ring, ten of the sport's finest fighters tell what it was like to battle Muhammad Ali, the man many consider the best boxer ever. This brutally honest documentary recounts Ali's incomparable journey as seen through the eyes of those who stepped through the ropes and into history. Join these resp! ected fighters as they weigh in on "The Greatest" and pay tribute to a living legend in this powerful and unforgettable film.

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True Believer

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Jeremy Marsh is a born skeptic and a science journalist who specializes in debunking the supernatural. When he hears about ghostly apparitions in a cemetery in Boone Creek, North Carolina, he leaves his beloved New York City for this small, rural town-and what his instincts tell him could make a great story. What he doesn't plan on is meeting and falling hopelessly in love with Lexie Darnell, who is sure of one thing: her future is here in Boone Creek, close to the people she loves. Now, if the young lovers are to be together, Jeremy must make a difficult choice: return to the life he knows in New York, or do something he could never do before... take a giant leap of faith.

Closing the Ring

• From Academy Award-winning director Richard Attenborough (Gandhi) comes this sweeping romance starring Shirley MacLaine (Terms of Endearment), Christopher Plummer (A Beautiful Mind), Mischa Barton (TV's The O.C.), and Neve Campbell (The Company). Moving seemlessly through time, this lush epic follows a beautiful 1940's Michigan girl (Barton) secretly married to a WWII pilot who crashes in the hill

From Academy Award-winning director Richard Attenborough (Gandhi) comes this sweeping romance starring Shirley MacLaine (Terms of Endearment), Christopher Plummer (A Beautiful Mind), Mischa Barton (TV's The O.C.), and Neve Campbell (The Company). Moving seemlessly through time, this lush epic follows a beautiful 1940's Michigan girl (Barton) secretly married to a WWII pilot who crashes in the hills near Belfast, Ireland. 50 years later his wedding ring resurfaces -- along with the smoldering secrets! that have kept the widow (MacLaine), her estranged daughter (Campbell) and devoted friend (Plummer) each from finding true love.A love story spanning more than five decades, Closing the Ring may appeal to fans of The Notebook. Academy Award-winning director Richard Attenborough (Ghandi) utilizes shifting time frames to tell the story of Ethel Ann and WWII fighter pilot Teddy. The two fall madly in love and secretly marry in a sweet ceremony that is destined for tragedy. When Teddy's plane is shot down in Belfast, he is discovered by an Irish boy who makes a promise to the dying soldier--he will return the wedding band to Teddy's young widow in the United States. Flash forward to the 1990s: An elderly Ethel Ann (Shirley MacLaine) is at her husband Chuck's funeral. He was never the love of her life and Ethel Ann had always lived her life full of "what ifs." Her grieving daughter Marie (Neve Campbell) notices the void, but can't comprehend why her mother ! has never been happy. When Teddy's wedding band is finally ret! urned to Ethel Ann--50 years after his death--the memento opens up a floodgate of emotions, and Ethel Ann is able to get some closure on a part of her life that she has tried so hard to both forget and remember. As a family friend points out to Marie, "Everybody needs to cry, and your mother never did." At times slow and uneven, Closing the Ring rings true in the modern-day vignettes. MacLaine is exquisite in her role, as is Christopher Plummer as a longtime friend. But when the scenes flash back to the 1940s, the younger actors don't share the same on-screen chemistry or charisma. Mischa Barton is beautiful as the young Ethel Ann, but her moments with Stephen Amell (as Teddy) are a little forced. Campbell brings intelligence and gravity to her role, but is underused in the film. Viewers can't help wonder how different the tone of the movie may have been had she been cast as the younger Ethel Ann. --Jae-Ha Kim

Casio G'zOne Commando Android Phone (Verizon Wireless)

• 480 x 800 3.6" WVGA capacitive touch screen
• Bluetooth connectivity (version 2.1)
• 5 megapixel rear camera with autofocus and LED flash
• Andoid 2.2 Operating System
• What's in the Box: Verizon G'zOne Commando smartphone, standard Lithium Ion battery, micro USB cable, AC adapter, Getting Started guide, 8GB Micro SD card, preinstalled SIM card, warranty card.

Introducing the Casio G'zOne Commando, the first G'zOne Android phone. Continuing in the rough and tough G'zOne heritage, the Commando now adds the versatility of Android for a powerful mobile experience. Rugged - with MIL-STD-810G certification - the Commando meets military standards for water, shock, and dust resistance making it perfect for any situation that life can throw at it, from the boardroom to the beach.

! Rugged, with the versatility of an Android OS. View larger

And not only is the Commando physically secure, but all of your information stored on the device is secure as well. With Exchange Active Sync you can ensure that confidential information stays that way by setting up SSL data encryption, device password policies, remote wipe options and more. Access G'zGEAR applications like the Earth Compass, Walking Counter, Adventure Training, Thermometer, and Tide Calculator that can help you to get in touch with the outdoors and fully embrace the active, adventure-driven lifestyle.

Not only physically secure, with Exchange Active Sync all your information is protected. View larger

The Commando features G'zOne's powerful XT9 and T9 Trace text entry tools. XT9's patented modular architecture provides one powerful and flexible text entry platform for almost any mobile keyboard type: 12-key, 20-key, Qwerty, and touchscreens. XT9 also supports speech and handwriting recognition and can be used in any application where text is entered on a device such as SMS, email, calendar, notes, tasks, browser search boxes, and more. T9 Trace eliminates the need to "hunt and peck" keys on a touch screen panel by allowing you to simply "trace" letters to enter text. With T9 Trace, you can quickly and easily glide their finger or stylus from one letter to the next on a Qwerty or 12-key touch screen keypad.

Web-Access on the Nation's Largest 3G Net! work

The Commando makes it easy to browse the Web at 3G speeds on Verizon's large and reliable 3G network. The multi-window HTML browser lets you view full websites. Whether you're at home or a Wi-Fi hotspot, you can switch over and use wireless networking to gain access to an even faster Internet connection. Plus, your phone turns into a 3G mobile hotspot to connect up to five other Wi-Fi-enabled devices.

Vital Statistics

The Verizon G'zOne Commando by Samsung weighs 5.45 ounces and measures 5.08 x 2.58 x 0.60 inches. It runs on Digital Dual Mode (CDMA,PCS) and EV-DO Rev.A frequencies. The standard 1460mAh lithium-ion battery offers up to 450 minutes of talk time and up to 270 hours (11 days) of standby time.

What's in the Box

Casio G'zOne Commando smartphone, standard lithium-ion battery, micro USB cable, AC adapter, getting started guide, 8GB micro SD card, preinstalled SIM card, warranty card.

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D esign & Hardware

• 480 x 800 3.6" WVGA capacitive touch screen
• Bluetooth connectivity (version 2.1) includes profiles for communication headset, hands-free car kits, and the A2DP Bluetooth profile--enabling you to wirelessly stream your music to a pair of compatible Bluetooth stereo headphones or speaker dock
• Virtual QWERTY Keyboard with XT9 and T9 Trace
• 8GB SD card preinstalled with support for SD cards up to 32GB
• GPS (AGPS) navigation with turn-by-turn directions
• 3G Mobile Hotspot creates a Wi-Fi hotspot that can be shared among five Wi-Fi-capable devices
• Meets Military Standards 810G for: Immersion, Rain, Shock & Dust Resistance, Vibration, Salt Fog, Humidity, Solar Radiation, Altitude, and Low and High Temperature Storage

Camera

• 5 megapixel rear camera with autofocus and LED flash
• Record 720p HD video for sharing later

Multimedia

• ! Supports popular audio formats such as MIDI, EVRC, EVRCB, AMR, MP3, AAC, AAC+, eAAC+, MPEG4, and WMA
• Displays JPEG, PNG, GIF87a, and GIF89a photos
• Plays H.263, H.264, and MPEG4 formatted videos
• Full HTML Browser with support for Adobe Flash Player 10.1 provides more pages and better Web content delivered efficiently to your phone

OS & Software

• Android 2.2 operating system (Froyo) with over-the-air upgrade capability for future OS releases
• Tools: Calendar, Calculator, Flashlight, Alarm Clock, World Clock, Stop Watch, Timer
• Bing Search and Bing Maps
• Google mobile services including Gmail, Google Talk, YouTube, Google Calendar and Google Search
• Email client with push support for MS Exchange and Gmail
• Verizon V CAST enables you to watch full-length TV shows plus news, sports, weather, and live entertainment video clips
G’zGear apps: Earth Compass, Walking Counter, Adventure Tra! ining, T rip Memory, Thermo-meter, Tides, Sun/Moon, Star Gazer

More Features

• Speakerphone for hands-free calls
• Headset: 3.5mm audio jack
• English/Spanish bilingual user interface
• Advanced speech recognition and visual voice mail
• TTY compatible
• Hearing aid compatibility: M4/T4

5 MP camera with autofocus and LED flash. View larger

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Android Operating System

The Commando runs the advanced Android operating system--OS 2.2 (aka, Froyo)--which provides a faster overall Android experience as well as greater multitasking capabilities. You'll be able to receive notifications, listen to music,! and even record GPS data without keeping the application open. And it features a plethora of new enhancements, including an improved onscreen QWERTY keyboard, full push corporate e-mail, and support for Adobe Flash Player 10.1 for access to the full Web. It also offers enhanced Exchange support, with Calendar syncing, Global Address Lookup, improved security, auto-discovery, and more.

With integrated Google technology, the Commando brings one-touch access to the popular Google mobile services millions use every day, including Google Search by voice, Google Maps with Street View, GTalk instant messaging (with presence capabilities), YouTube, and Picasa. It also provides easy access to both personal and corporate e-mail, calendars, and contacts supported by Exchange Server and Gmail. And through Android Market, you'll get access to thousands of useful applications, widgets, and fun games to download and install on your phone, with many more apps being added every day! .

Also Available for this Android Device

	Amazon Appstore for Android Get a great paid app for free every day.		Kindle Buy a book once and read it everywhere with our free Kindle Reading App for Android.		Amazon MP3 Shop 15! million songs and stream your Cloud Drive music directly from your Android device.
	IMDB Find local movie showtimes and TV listings, watch trailers, and search the world's largest source of entertainment information.		Audible Download audiobooks directly to your Android device, then listen wherever you go, get audiobook news, earn badges, and more.		Amazon Mobile Shop for millions of products, get product details, and read reviews--right from your mobile device.

2008 Yu-Gi-Oh! Yugioh 5Ds Zombie World Structure Deck w/ Red Eyes Darkness Zombie Dragon

• Total Cards in Set: 40 Cards (39 Common, 1 Ultra Rare)
• New 5D's Deck focusing on the classic Zombie Deck.
• 40 Card Deck, Playmat, and Rulebook
• Check Out our other Yu Gi Oh! Listings!

Young Masters is a delightful new hardcover book and music series from Grammy Award® Winner Bunny Hull that is destined to be in every child s collection. 28 pages Preschool Early Reader w/CD Somewhere over the sky and under the moon, Butaan and Phylos met and became the best of friends. Now children everywhere can share in the wisdom and wonder of these two Young Masters as they explore life s hidden treasures and discover its most precious secrets. Illustrator Kye Fleming has created two loveable characters that capture children s hearts. Songs support the theme and actress Elayn J. Taylor narrates the story backed by a beautiful score created by Hull. In The Magic Eye, Butaan helps Ph! ylos to understand the boundless nature of the imagination, and how it can be used to overcome obstacles. Dan Cowan, Music DesignThis digital document is an article from The Futurist, published by Thomson Gale on January 1, 2008. The length of the article is 744 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: WorldFuture 2008: seeing the future through new eyes.
Author: Gale Reference Team
Publication: The Futurist (Magazine/Journal)
Date: January 1, 2008
Publisher: Thomson Gale
Volume: 42 Issue: 1 Page: 52(3)

Distributed by Thomson Gale

Now in full color and completely upd! ated, the Fifth Edition of this best-selling manual is a relia! ble quic k-reference guide for all clinicians who treat eye disorders. Every disorder encountered in the office, emergency room, or hospital is covered in concise outline format: symptoms, signs, work-up, treatment, and follow-up. Also included are chapters on differential diagnosis of ocular symptoms and signs, a section on current imaging modalities in ophthalmology, and a Pharmacopoeia.

This edition features over 200 full-color photographs and includes the newest drugs, procedures, and treatment protocols. New topics covered include iridodialysis/cyclodialysis, shaken baby syndrome, crystalline keratopathy, refractive surgery complications, aberrant regeneration of the third nerve, venous stasis retinopathy, choroidal effusion/detachment, and common laser procedures. New appendices cover intravitreal injections and antibiotics, anterior chamber paracentesis, laser peripheral iridotomy, and YAG capsulotomy.

“Adrienne Rich is the Blake of American letter! s.”â€"Nadine Gordimer

Across more than three decades Adrienne Rich’s essays have been praised for their lucidity, courage, and range of concerns. In A Human Eye, Rich examines a diverse selection of writings and their place in past and present social disorders and transformations. Beyond literary theories, she explores from many angles how the arts of language have acted on and been shaped by their creators’ worlds.Be prepared for the ultimate scare with the all new Yu-Gi-Oh! Structure Deck, Zombie World! Introducing brand new cards and some highly desirable reprints, the all new Structure deck allows Duelist to create an indestructible Zombie army by turning ALL monsters into Zombies. This 40-card deck is enjoyable for the intermediate player and creates many new possibilities for the tournament level players by allowing them to fit any monster into a Zombie deck. This Deck also contains a new rulebook, playmat and a Dueling Guide that explains s! ome of the exciting new strategies to use as well as relevant ! cards fr om recently-released products to help build an unbeatable Deck! Create an outbreak of Zombies with Zombie World!

Helen's Asian Kitchen Spiral Slicer

• Spiral slicer
• Stainless steel blades
• Quickly turns almost any firm vegetable into continuous spirals
• Makes spaghetti-like strands, long, flat ribbons or thin slices
• By Helen's Asian Kitchen

“Ashley Judd’s performance is nothing short of riveting.” â€" The Huffington Post. On the outside, Helen (Ashley Judd) has the perfect life â€" a loving family, a beautiful house and a successful career â€" but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen befriends Mathilda (Lauren Lee Smith), a kindred spirit struggling with bipolar disorder. Together the two find the solace they had been seeking.“Ashley Judd’s performance is nothing short of riveting.” â€" The Huffington Post. On the outside, Helen (Ashley Judd) has the perfect life â€" a loving family, a beautiful house and a successful career â€" ! but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen befriends Mathilda (Lauren Lee Smith), a kindred spirit struggling with bipolar disorder. Together the two find the solace they had been seeking. Academy Award® winner Helen Mirren and two-time Academy Award® nominee Tom Wilkinson star in The Debt, "a pulse-pounding and politically charged suspense thriller." (Karen Durbin, Elle) In 1966, three Mossad agents were assigned to track down a feared Nazi war criminal hiding in East Berlin, a mission accomplished at great risk and personal cost - or was it? Thirty years later, the suspense builds as shocking news and surprising revelations compel retired team member Rachel Singer (Mirren) to take matters into her own hands. Co-starring Sam Worthington, Jessica Chastain and Ciarán Hinds, it's the film critics call "an intelligent thriller with superb performances." (USA Today) Starring: Helen Mirren, Sam Worthington,! Jessica Chastain, Jesper Christensen, Marton Csokas, Ciaran H! inds, To m Wilkinson Directed by: John MaddenThe Debt fuses physical and moral peril as it fuses past and present. In the contemporary half of the story, ex-Mossad agent Rachel Singer (Helen Mirren) tells and retells the story of how she and her fellow agents David Peretz (Ciarán Hinds, Rome) and Stephan Gold (Tom Wilkinson, In the Bedroom) captured and killed a Nazi war criminal. But in flashbacks to Cold War East Berlin, younger versions of Rachel, David, and Stephan (Jessica Chastain, Sam Worthington, and Marton Csokas, respectively) play out a significantly different series of events--and the gap between past and present takes its toll on all three in different (and in one case gut-wrenching) ways. Though Mirren, Hinds, and Wilkinson are a powerhouse trio, it's the Cold War scenes that take hold of the viewer. Jesper Christensen (as the Nazi) invests his conversations with Chastain and Worthington with silky insinuation and taunting contempt, building a deva! stating suspense. Fans accustomed to Worthington in his action-movie roles (Avatar, Clash of the Titans) will be surprised by the gentle vulnerability he shows here, but it's Chastain (The Tree of Life) who captures the movie's emotional core. She and Mirren perform a strange collaboration that can only happen in the movies, building a fierce and brittle woman out of their complementary performances. --Bret FetzerAcademy Award® winner Helen Mirren and two-time Academy Award® nominee Tom Wilkinson star in The Debt, "a pulse-pounding and politically charged suspense thriller." (Karen Durbin, Elle) In 1966, three Mossad agents were assigned to track down a feared Nazi war criminal hiding in East Berlin, a mission accomplished at great risk and personal cost - or was it? Thirty years later, the suspense builds as shocking news and surprising revelations compel retired team member Rachel Singer (Mirren) to take matters into her own hands. Co-starrin! g Sam Worthington, Jessica Chastain and Ciarán Hinds, it's th! e film c ritics call "an intelligent thriller with superb performances." (USA Today) Starring: Helen Mirren, Sam Worthington, Jessica Chastain, Jesper Christensen, Marton Csokas, Ciaran Hinds, Tom Wilkinson Directed by: John MaddenThe Debt fuses physical and moral peril as it fuses past and present. In the contemporary half of the story, ex-Mossad agent Rachel Singer (Helen Mirren) tells and retells the story of how she and her fellow agents David Peretz (Ciarán Hinds, Rome) and Stephan Gold (Tom Wilkinson, In the Bedroom) captured and killed a Nazi war criminal. But in flashbacks to Cold War East Berlin, younger versions of Rachel, David, and Stephan (Jessica Chastain, Sam Worthington, and Marton Csokas, respectively) play out a significantly different series of events--and the gap between past and present takes its toll on all three in different (and in one case gut-wrenching) ways. Though Mirren, Hinds, and Wilkinson are a powerhouse trio, it's the Cold War ! scenes that take hold of the viewer. Jesper Christensen (as the Nazi) invests his conversations with Chastain and Worthington with silky insinuation and taunting contempt, building a devastating suspense. Fans accustomed to Worthington in his action-movie roles (Avatar, Clash of the Titans) will be surprised by the gentle vulnerability he shows here, but it's Chastain (The Tree of Life) who captures the movie's emotional core. She and Mirren perform a strange collaboration that can only happen in the movies, building a fierce and brittle woman out of their complementary performances. --Bret FetzerThe Spiral Slicer, by Helen's Asian Kitchen, quickly turns almost any firm vegetable into continuous spirals; makes spaghetti-like strands, long, flat ribbons or thin slices. Features include an easy to use turn lever on top, clear bottom food receptacle and sharp, long lasting stainless steel blades.

The Assassination of Jesse James by the Coward Robert Ford

• Everyone in 1880s America knows Jesse James. Hes the nations most notorious criminal, hunted by the law in 10 states. Hes also the lands greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. Hell befriend Jesse, ride with his gang. And if that doesnt bring Ford fame, hell find a deadlier way.Friendship become

Jesse James was a fabled outlaw, a charismatic, spiritual, larger-than-life bad man whose bloody exploits captured the imagination and admiration of a nation hungry for antiheroes. Robert Ford was a young upstart torn between dedicated worship and murderous jealousy, the "dirty little coward" who coveted Jesse's legend. The powerful, strange, and unforgettable story of their interweaving pathsâ€"and twin destinies that would collide in a rain of blood and betrayalâ€"is a story of America in all ! her rough, conflicted glory and the myths that made her.

2008 soundtrack to the acclaimed film starring Brad Pitt. The soundtrack's composers, Nick Cave and Warren Ellis, come from the internationally celebrated bands Nick Cave And The Bad Seeds, The Dirty Three and Grinderman. Cave and Ellis composed, played and produced this compelling and intense soundtrack for director Andrew Dominik's savage tale of the true West, The Assassination of Jesse James By The Coward Robert Ford. This soundtrack perfectly captures the charismatic and unpredictable nature of the film's central protagonist. Like the film, Cave and Ellis' music cuts through the mythic figure of Jesse James to reveal the complex, contradictory man beneath. Daring and passionately delivered, this beautiful soundtrack retains its captivating power even without the benefit of Dominik's images. Mute.Hansen re-creates the real West with his imaginative telling of the life of the most famous outlaw of them all, ! Jesse James, and of his death at the hands of the upstart Robe! rt Ford. James, a charismatic, superstitious, and moody man, holds sway over a ragged gang who fear his temper and quick shooting. Robert Ford, a young gang member torn between worshipping Jesse and taking his place, guns him down in cold blood and lives out his days tormented by the killing.Everyone in 1880s America knows Jesse James. He’s the nation’s most notorious criminal, hunted by the law in 10 states. He’s also the land’s greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. He’ll befriend Jesse, ride with his gang. And if that doesn’t bring Ford fame, he’ll find a deadlier way. Friendship becomes rivalry and the quest for fame becomes obsession in this virile epic produced in part by Ridley Scott and featuring gripping portrayals by Brad Pitt (winner of the Venice Film Festival Best Actor Award) as Jesse and Casey Affleck as the youth drawn closer to his goal…and farthe! r from his own humanity.Of all the movies made about or glancingly involving the 19th-century outlaw Jesse Woodson James, The Assassination of Jesse James by the Coward Robert Ford is the most reflective, most ambitious, most intricately fascinating, and indisputably most beautiful. Based on the novel of the same name by Ron Hansen, it picks up James late in his career, a few hours before his final train robbery, then covers the slow catastrophe of the gang's breakup over the next seven months even as the boss himself settles into an approximation of genteel retirement. But in another sense all of the movie is later than that. The very title assumes the audience's familiarity with James as a figure out of history and legend, and our awareness that he was--will be--murdered in his parlor one quiet afternoon by a backshooting crony.

The film--only the second to be made by New Zealandâ€"born writer-director Andrew Dominik--reminds us that Dominik's debut film, Ch! opper (2000), was the cunningly off-kilter portrait of ano! ther rea l-life criminal psychopath who became a kind of rock star to his society. The Jesse James of this telling is no Robin Hood robbing the rich to give to the poor, and that train robbery we witness is punctuated by acts of gratuitous brutality, not gallantry. Nineteen-year-old Bob Ford (Casey Affleck) seeks to join the James gang out of hero worship stoked by the dime novels he secretes under his bed, but his glam hero (Brad Pitt) is a monster who takes private glee in infecting his accomplices with his own paranoia, then murdering them for it. In the careful orchestration of James's final moments, there's even a hint that he takes satisfaction in his own demise.

Affleck and Pitt (who co-produced with Ridley Scott, among others) are mesmerizing in the title roles, but the movie is enriched by an exceptional supporting cast: Sam Shepard as Jesse's older, more stable brother Frank; Sam Rockwell as Bob Ford's own brother Charlie, whose post-assassination descent into madness i! s astonishing to behold; Paul Schneider, Garret Dillahunt, and Jeremy Renner as three variously doomed gang members; and Mary-Louise Parker, who as Jesse's wife Zee has few lines yet manages with looks and body language to invoke a wellnigh-novelistic backstory for herself. There are also electrifying cameos by James Carville, doing solid actorly work as the governor of Missouri; Ted Levine, as a lawman of antic spirit; and Nick Cave, composer of the film's score (with Warren Ellis) and screenwriter of the Aussie "Western" The Proposition, suddenly towering over a late scene to perform the folk song that set the terms for the book and movie's title.

Still, the real costar is Roger Deakins, probably the finest cinematographer at work today. The landscapes of the movie (mostly in Alberta and Manitoba) will linger in the memory as long as the distinctive faces, and we seem to feel the sting of its snows on our cheeks. Interior scenes are equally persuasive. Few West! erns have conveyed so tangibly the bleakness and austerity of ! the spac es people of the frontier called home, and sought in vain to warm with human spirit. --Richard T. Jameson