Sabtu, 05 November 2011

Heaven

Face Off

  • * Widescreen Version. Special Features include:
  • * Commentaries by Director John Woo and Writers Mike Werb and Michael Colleary
  • * 7 Deleted Scenes - Including an Alternate Ending (with Optional Commentary)
  • * English DTS 6.1 * English Dolby Digital 5.1 Surround EX * French 2.0 Surround
  • * Languages - English, French. * Subtitles - English, French, Spanish.
At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travol! ta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic level! s. --Sean AxmakerStudio: Paramount Home Video Release ! Date: 08 /17/2010 Run time: 140 minutes Rating: RAt his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man! who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean AxmakerStudio: Paramount Home Video Release Date: 12/09/2008At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fict! ion plastic surgery--and creates a double-barreled revenge fil! m driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama! and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker

Coco Chanel

  • Academy Award winning actress Shirley MacLaine stars as Coco Chanel in this critically acclaimed film that charts the rise of one of the most influential designers of the 20th century. From her humble childhood and early days as a young dressmaker's assistant, to her passionate love affair with a dashing Englishman and ultimate success as a pioneering fashion icon, Coco Chanel is the story of a gl
Audrey Tautou (The Da Vinci Code, Amélie) shines in this intriguing portrait of the early life of Gabrielle Bonheur Chanel, the orphan who would build a fashion empire and be known universally by her nickname, Coco. She journeys from a mundane seamstress job to boisterous cabarets to the opulent French countryside, possessing little more than her unwavering determination, unique style and visionary talent. Also starring Benoît Poelvoorde (In His Hands) and Alessandro Nivola (Junebug). Featuring lush settings and stunning costume design, Coco Before Chanel is the gripping and dramatic story of an icon who defied convention and defined the modern woman.Before she became Coco, the world-famous fashion designer, Gabrielle Chanel (Audrey Tautou in a fiercely determined performance) struggled to make ends meet. After her mother's death, her father deposited her and her sister, Adrienne (Marie Gillain), at an orphanage, where they learned to sew (and where Chanel developed a taste for monochromatic ensembles). They went on to become cabaret singers, but when Adrienne runs off with a wealthy suitor, the newly christened Coco must go it alone until she meets gentleman farmer Étienne Balsan (Benoît Poelvoorde). She lives comfortably at his chateau, but he refuses to take her out in public, so she puts her skills as a seamstress to good use and designs outfits for his lady friends, like Emilienne (Emmanuelle Devos), an actress. Chanel's sit! uation improves further when British investor Arthur "Boy" Cap! el (Ales sandro Nivola with an impeccable French accent) enters the scene. Her working-class origins present less of a problem with Capel, though the couple will have other issues with which to contend. In the meantime, he gives her the money to open her own Parisian studio, and the film ends with the tweed suit-clad Chanel of the popular imagination. Until that time, writer-director Anne Fontaine (The Girl from Monaco) presents a very different character, a woman who wasn't worldly or sophisticated, but who saw no reason why fashion--or "style," as she called it--should be complicated or uncomfortable. In transforming herself, Coco Chanel transformed an entire industry and, arguably, an entire gender. --Kathleen C. Fennessy


Stills from Coco Before Chanel (Click for larger image)








Audrey Tautou (The Da Vinci Code, Amélie) shines ! in this intriguing portrait of the early life of Gabrielle Bon! heur Cha nel, the orphan who would build a fashion empire and be known universally by her nickname, Coco. She journeys from a mundane seamstress job to boisterous cabarets to the opulent French countryside, possessing little more than her unwavering determination, unique style and visionary talent. Also starring Benoît Poelvoorde (In His Hands) and Alessandro Nivola (Junebug). Featuring lush settings and stunning costume design, Coco Before Chanel is the gripping and dramatic story of an icon who defied convention and defined the modern woman.Before she became Coco, the world-famous fashion designer, Gabrielle Chanel (Audrey Tautou in a fiercely determined performance) struggled to make ends meet. After her mother's death, her father deposited her and her sister, Adrienne (Marie Gillain), at an orphanage, where they learned to sew (and where Chanel developed a taste for monochromatic ensembles). They went on to become cabaret singers, but when Adrienne runs off ! with a wealthy suitor, the newly christened Coco must go it alone until she meets gentleman farmer Étienne Balsan (Benoît Poelvoorde). She lives comfortably at his chateau, but he refuses to take her out in public, so she puts her skills as a seamstress to good use and designs outfits for his lady friends, like Emilienne (Emmanuelle Devos), an actress. Chanel's situation improves further when British investor Arthur "Boy" Capel (Alessandro Nivola with an impeccable French accent) enters the scene. Her working-class origins present less of a problem with Capel, though the couple will have other issues with which to contend. In the meantime, he gives her the money to open her own Parisian studio, and the film ends with the tweed suit-clad Chanel of the popular imagination. Until that time, writer-director Anne Fontaine (The Girl from Monaco) presents a very different character, a woman who wasn't worldly or sophisticated, but who saw no reason why fashion--or "styl! e," as she called it--should be complicated or uncomfortable. ! In trans forming herself, Coco Chanel transformed an entire industry and, arguably, an entire gender. --Kathleen C. Fennessy


Stills from Coco Before Chanel (Click for larger image)








Academy Award winning actress Shirley MacLaine stars as Coco Chanel in this critically acclaimed film that charts the rise of one of the most influential designers of the 20th century. From her humble childhood and early days as a young dressmaker's assistant, to her passionate love affair with a dashing Englishman and ultimate success as a pioneering fashion icon, Coco Chanel is the story of a glamorous woman who was hard to love and harder to ignore. Golden Globe and Screen Actors Guild nominated, Coco Chanel is a must-see film for every lover of fashion and romance.Lovers of fashion, Paris, and love will adore Coco Chanel, a stylish biopic about the legend! ary fashion designer whose incredible vision and style would g! o on to become one of the most influential of the 20th century. And while Coco (née Gabrielle) Chanel's focus on her work was undeniable, and expertly chronicled in Coco Chanel, so, too, are her passionate loves--giving the film its depth and humanity. Shirley MacLaine shines as the older Coco, looking back at her legacy from the middle of the century, with her longtime companion and No. 1 booster, Marc Bouchier (Malcolm McDowell), at her side. MacLaine is equal parts arrogant, dismissive, and steadfast in her objective--yet just vulnerable enough to let viewers see the real woman beneath the hard exterior of international success. The stunning cast includes the Czechoslovakian-born Barbora Bobulova as the young Coco--as gamine and winsome as the young Shirley MacLaine--a determined young woman willing to work hard in a man's field and stay true to her own vision. Fashion fans will love learning the story of Chanel's rise from her poor beginnings in an orphanage to he! r hardscrabble start as a seamstress in Paris, slowly making contacts (and charming dashing young gentlemen) and insinuating her idea of elegant chic into the minds of a populace hungry for it. Chanel's conception of a fashion empire included the then-revolutionary idea of incorporating other products, like perfume; the young Coco, in creating her signature scent, said when launching Chanel No. 5, "I am sure this will be my lucky number." The DVD includes a fascinating making-of feature that shows the details of shooting on location and how the filmmakers got the period details absolutely parfait. --A.T. Hurley

Practical Magic (Keep Case Packaging)

  • Widescreen
  • Dolby Digital
Birdee Pruitt (Bullock) has a life most people would envy. But when her cheating husband reveals infidelity to her on a national TV talk show, her perfect life comes crashing down. Devastated, Birdee and her young daughter head home to the small town she left behind. As mother and daughter struggle to adjust to their new lives, Birdee slowly gains the strength to open her heart and find hope again.Cute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Heading back to her small hometown in Texas, she seeks refuge with her eccentric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, been ! carrying a torch for her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much to say about finding your true identity, but does so with all the sentimentality and depth of a Hallmark card. --Rochelle O'GormanBirdee Pruitt (Sandra Bullock) has a life most people would envy. But when her cheating husband reveals infidelity to her on a national TV talk show, her perfect life comes crashing down. Devastated, Birdee and her young daughter head home to the small town she left behind. As mother and daughter struggle to adjust to their new lives, Birdee slowly gains the strength to open her heart and find hope again. Cute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Heading b! ack to her small hometown in Texas, she seeks refuge with her ! eccentri c mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, been carrying a torch for her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much to say about finding your true identity, but does so with all the sentimentality and depth of a Hallmark card. --Rochelle O'GormanCute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Heading back to her small hometown in Texas, she seeks refuge with her eccentric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, been carrying a torch for her! since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much to say about finding your true identity, but does so with all the sentimentality and depth of a Hallmark card. --Rochelle O'GormanCute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Heading back to her small hometown in Texas, she seeks refuge with her eccentric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, been carrying a torch for her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much to ! say about finding your true identity, but does so with all the! sentime ntality and depth of a Hallmark card. --Rochelle O'GormanThree dramas on 3 DVD in one set.If a broom falls, company is due. When a circle rings the moon, trouble looms, Should you misplace your broom, sorry; a hand vac can't be used in an exorcism rite. Fun and excitement abound in the Owens family of wily witches. One problem, though: the men the Owens women fall in love with are doomed to an untimely death.

Sandra Bullock and Nicole Kidman bring a sparkling screen magic to Practical Magic, adapted from Alice Hoffman's bestseller and directed by Griffin Dunne (Addicted to Love). They play Sally and Gillian Owens, sisters hexed by a centuries -old curse...and coping with a witches brew of events involving a possible love match (Aidan Quinn) for one, a zombie (Goran Visnjic) for the other and a need to resume the age-old witchcraft taught by two doting Owens aunts (Stockard Channing and Dianne Wiest). Sit for a spell and enjoy.

Breakfast With Scot

  • BREAKFAST WITH SCOT (DVD MOVIE)
The lives of Eric, an ex-hockey player, and his partner Sam are thrown into turmoil when they are forced to take in Scot, a flamboyant 11-year-old, who is not the sports-loving “boy” they expected. Starring Tom Cavanagh, Ben Shenkman and Noah Bernett. Like most couples, Eric (Tom Cavanagh, Ed) and Sam (Ben Shenkman, Angels in America) have their differences. A former NHL player, Eric broadcasts sports news, while Sam practices corporate law. If Sam seems comfortable with his orientation, Eric keeps their four-year relationship a secret for the sake of his career. When Sam's wayward brother Billy's girlfriend passes away, the Toronto couple takes temporary custody of her 11-year-old son, Scot (the unflappable Noah Bernett). Until he makes his gardenia-scented entrance, Breakfast with Scot appears to be a comedy about gay parenting, excep! t Scot isn't a typical boy. He sings show tunes, wears feather boas, and makes "T"-shaped pancakes (because his first name ends with one "T"). As an ex-Toronto Maple Leaf, Eric finds Scot's flamboyance discomforting, so he encourages him to play hockey. To his surprise, the kid takes to the ice like a fish to water, but as Scot spends more time with the athletes than the outcasts, he develops a mean streak, which presents even more of a challenge to his guardians. Further, Billy (Colin Cunningham, Da Vinci's Inquest), who lives in Brazil, expresses greater interest in his ex-girlfriend's insurance money than the child that comes with it. Loosely adapted from the novel by Michael Downing and paced like a sitcom, director Laurie Lynd presents few storyline surprises, but the basic premise is sure to resonate with parents of all persuasions. In the end, Scot teaches Eric that it's better to be yourself than to conform to constricting gender roles. --Kathleen C. Fenne! ssy
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